Showing posts with label Buru Quartet Marathon. Show all posts
Showing posts with label Buru Quartet Marathon. Show all posts



The first book of Buru Quartet ends with the death of Mr Mallema and the repercussions it brings to the family. The court decided that the Mellema’s estate and wealth would be divided into three: Robert, Annelies and Mr. Mallema’s son from his legal marriage, Engineer Maurits Mallema. Nyai Ontosoroh, who has been looking after the business since Mr. Mallema was incapacitated, did not get anything at all. While that alone has intensified the situation, what made the situation even more tense is Robert’s disappearance. If Robert was around, the court would have appointed him as Annelies’s guardian. However, since Robert was nowhere to be found, Annelies was then forcefully sent to the Netherlands to her legal guardian, the Mellema family. 


The thing that needs to be noted, however, is that Annelies has got married with Minke months before. However, since Annelies was still considered underage, the European court did not acknowledge their marriage. A series of defence were made both at court and through newspapers, but to no avail. One of the arguments used was that the marriage was legal in the Islamic law. If the court did not acknowledge this marriage, it meant that the court disregards Islamic law. This argument was successful to get the natives’ attention. However, it did not succeed to change the court’s decision. 


In the Child of All Nations, the story picks up from when Annelies was on a ship sailing for Europe. Obviously, considering how weak Annelies has always been, this whole experience has deteriorated her health even more. Before the sail, she was unconscious for days and now even though she is conscious she  is  barely alive. 


Both Minke and Nyai Ontosoroh wanted to accompany Annelies leaving for Europe, but the court disapproved it. Rather, they both were under house arrest during Annelies’s departure. Only three days after Annelies left that they were freed. 


Luckily, Nyai Ontosoroh has secretly arranged Robert Jan Daperste alias Panji Darman, a loyal friend of the family, to be on the ship along with Annalies. It is he then who reported to the family about Annelies’ situation on the ship and in the Netherlands. From his letter to Minke we learn that Annelies was getting worse and she did not want to eat and lost hope entirely.  From his letter, we also learn that when the ship arrived in the Netherlands, none of the Hellema’s family was present to welcome Annelies. Instead, an old woman was paid by the family to pick her up. Panji Darman then followed the old woman who turned out taking Annelies to her own house, not the Hellema’s house. It became clear that the Hellema’s family would not take care of Annelies. After a few weeks, a telegram from Panji Darma arrived informing that Annelies has passed away. 


Personally, I was very disappointed on this part. Here I was thinking that this journey, being away from Nyai Ontosoroh, would make Annelies a strong independent woman. No, instead, she is dead. Such a turn off. On the bright side, Pram kills her early in the book. Again, it shows that Pram considers her character just as a foil baring no significance to the story whatsoever. Once she is dead, Pram continues with more important issues. 


The first important issue is about empowering the natives. This theme was brought up through the Khouw Ah Soe’s character who is a member of Chinese Young Generation Movement who came to the Dutch East Indies illegally. He was in contact with Minke because Minke was appointed by a newspaper to write a story on him. However, Minke was disappointed that the newspaper did not publish what he originally wrote. Instead, they completely fabricated an entirely different story which Minke found to be misleading. Luckily, Khouw Ah Soe believed Minke and they became friends. From him, Minke learned that there is a movement in China wishing to develop the country so that they can become equal with that of the Europeans. 


The second important thing in the second book is about Japan’s rise in the late 19th century. Because of its significant growth, Japanese people became the first non-white whose status were made equal to the white people before the law. The Japanese was also an inspiration to Khouw Ah Soe in his activism. He wanted the Chinese people to aspire to do the same as the Japanese. However, Japan was also beginning to invade parts of Korea and China. In this regards, the book also talks about international relations of the late 19th century. The book talks about how balance of power politics was about to take place. Obviously, this is a foreshadowing for Japan’s eventual power and greed to invade the entire South East Asia. 


The third theme being discussed in the book is identity crisis that Minke was experiencing. Being educated in a European school has made Minke views the world around him with the European lens. As a result, when he sees local customs and people, he can’t help but looks down on them. Increasingly, however, Minke begins to see that European people with their so called “enlightenment” are savage in their own ways. Minke’s experience with the law is one of the examples in which Minke sees that Europeans shield their savageness under bureaucracy and law. But beneath all of them lies deception and exploitation. 


Minke’s identity crisis doubles when his European friends encourage him to write in Malay. They assert that Minke should write in a language that the natives understand, that way the natives can benefit from Minke’s wisdom. They also said that Minke does not owe the Europeans anything. All these times Minke has been writing in Dutch and is comfortable to do so. Meanwhile, Minke as an educated native owes his people everything.  Hearing what his friend had to say, Minke was defensive and offended at times. But as time goes, he understood why they thought so. But we are yet to see Minke writes in Malay. 


Another important event in the second book was Robert’s letter informing where he is. Before he disappeared we knew that he had fallen into Babah Ah Kong’s trap, just like his father was. He entered Bahah Ah Kong’s brothel and slept with a Japanese prostitute who had syphilis. Now on his letter we learn that he lived abroad in Hong Kong and is sick. In his final letter we learn that he is in Los Angeles being treated in a hospital. He also admitted to have impregnated a maid named Minem and asked Nyai Ontosoroh to acknowledge him. However it is so strange that Minem did not catch syphilis, considering they slept after Robert slept with the prostitute who had syphilis. And by the way, Robert died too. 


Towards the end of the book, Nyai Ontosoroh and Minke expected Muraits Melemma to arrive and they also expected that he would take over the entire estate. Throughout the book he has been portrayed as an antagonist whose only motive is to take over the Mellema’s wealth. And at the end of the book, Nyai Ontosoroh, Minke, and their two other European friends confronted him for his behaviour, questioned his Christian and European morality. He was mostly quiet the entire confrontation and was forced to leave because many natives had gathered in front of the house hearing May crying and shouting on hearing that Annelies had died. Yes, Nyai Ontosoroh and Minke did not annouce Annelies’ death. Even their close friends did not know about it. Only when Maurits was present that they called him out for his cruelty and blamed him as Annelies’ murderer. And this is where the second book ends. So, we don’t really know if he did take the Mellema’s wealth after all. 


See you in book 3. 

   

Adhari's bookshelf: just-finished

Child of All Nations
it was amazing
The first book of Buru Quartet ends with the death of Mr Mallema and the repercussions it brings to the family. The court decided that the Mellema’s estate and wealth would be divided into three: Robert, Annelies and Mr. Mallema’s son...
tagged: buru-quartet-marathon and just-finished

goodreads.com



This Earth of Mankind is the first book of the Buru Quartet series, and probably the most famous of the four. Although, personally, I don’t find the first book exceptional at all compared to the other three. In fact, I find the love story between Minke and Annelies quite shallow. But, isn’t all love stories are? 


The story starts with the narrator introducing himself. However, rather than revealing his real name, he let readers know the name people use to call him: Minke. At first, readers are puzzled with name especially because Minke claims to be a native, but the name Minke is not a common native name at all.  Luckily, there is one special chapter in which Minke explains how the name comes about. It turns out that the name was born at a time when his teacher was angry at him for not being able to answer a question he asked. The teacher meant to say MONKEY, but realising that it’s inappropriate to insult a student in a class before other students, he then quickly changed it into Minke. So, Minke is actually a derogative term, but only later that he understood that. 


Minke was among the only two natives who were privileged to have been enrolled in Surabaya Hoger Burger School (HBS) or the equivalent of Senior High School. The other one was Robert Jan Dapperste who was admitted because he was adopted by a Dutch preacher. Likewise, Minke, too, was admitted because he was the grandson of a Bupati (regent). Indeed, during the colonial time, no natives are given access to education, unless they are the children of important people. 


A bit of context, the book begins in 1898. By this time, the Dutch had ruled Indonesia for over 200 years. This quartet, therefore, is a great historical fiction to show Indonesia’s colonial history. We get see how the natives were being treated by the Dutch colonialist. Most important of all, we get to see how big a failure the Dutch had been in influencing Indonesia culturally. It appears that unlike other colonial doctrine that believed colonialism was a way to enlighten the so called “savages”, the Dutch’s only goal was to exploit the resources and the native people for their own benefit.  


The Dutch’s biggest failure for me is the fact that the Dutch did not introduce education to the Indonesian native, or if did it was obviously failed. What is apparent is that Indonesian people had to fight for it. It is no surprise that after ruling Indonesia for 250 years, no trace of Dutch language left in Indonesia. Unlike the former British colonies, they all adopt the English language either as their official language or as their second language. This is not to say that British colonialism was better than the Dutch. No. No form of colonialism is justified. 


Back to the book. At the surface, the story seems to centre around a love story between Minke and an Indo girl, Annalies. An Indo is a term used to refer to Dutch-Indonesian mixed person. But, as we dig deeper, it is obvious that Toer, or Pram as Indonesians fondly call him, only uses  the love story as a foil to talk about issues that are much deeper and much more serious such as colonialism, segregation, slavery, psychology, capitalism, feminism and many more. 


The lead character of the book is obviously Nyai Ontosoroh. Nyais are an important part of Indonesian colonial history, beautiful native women bought by colonial officials to be their concubine. These women were often ridiculed and outcasted by other natives. But, as Nyai Ontosoroh’s story, they are victims of the circumstances. 


We are introduced to Nyai Ontosoroh as Minke and his schoolmate, Robert Suuroof, was visiting the Hellema’s estate. As Minke was smitten by Annalies’s beauty, readers were smitten by Nyai Ontosoroh’s unusual charm. A nyai has the reputation for being a sex slave. However, nyai Ontosoroh is different. She is fluent in Dutch and she is literate. Later, we also discover that she manages the entire Hellema’s business empire - something that’s quite extraordinary for a native woman to do at the time. Probably her most powerful charm is her progressive way of looking at the world. Although she is a nyai, she doesn’t look down at Minke. Rather, she welcomes him and does not pay attention to his nativeness.   


The love story between the two continues, but it terms of storyline we know that it is so just to draw Minke closer to nyai Ontosoroh and the Mellema family who will take the story to a whole other level. Personally, I don’t like how Pram portrays Annelies’ character. He describes her as a beauty beyond compared, but she is very fragile and sentimental. This is quite contradictory, considering that she started working with her mother quite early on. My point is that, you can’t be mature but immature at the same time. I suspect that Annelies’ character is not important at all. She is just there as a foil so that we get to see more of nyai Ontosoroh. 


Ontosoroh was made into a nyai when she was quite young. It was her father who sold her to a colonial official (Tuan Besar Kuasa), Mr Mellema, so that he could be promoted into a higher position. Because of this, she holds a grudge against his family. She refused to acknowledge them and to meet them ever since. At first, Mr Mellema was a nice gentleman teaching Ontosoroh everything from hygiene, reading, writing and even managing a business. It was Mr Mellema therefore who transforms Ontosoroh into a “modern women”.


However, Mr Mellema stops being a gentlemen (at least according to nyai Ontosoroh) after one day a man came to their estate which turns out to be his son from his legal marriage back in the Netherlands. That man confront Mr Mellema for deserting him and his mother. Ever since that day Mr Mellema no longer the person he used to be. Later in the story we learn that he has been staying at a brothel next door and spends his time drinking. Amidst all of this, nyai Ontosoroh takes over the job in managing the estate and the businesses. That’s how she becomes a truly independent business woman. 


Minke was invited to stay with the Millemas but he did not know how to react. After a long consideration and because Annelies was madly in love with him to the point that she would get sick just being away from him (I hate this part), he finally gave in. However, little that he knew this is the beginning of all troubles that he is about to encounter. What are those troubles? I think this is the part where I should leave you. Please get the book and read it. It’s so worth it. 


What can you expect from the book?  

  1. You get to see life during the colonial time. You get to also see the narrator’s perspective about native’s responses to colonialism. For example, we are given two contrasting responses to colonialism. One, that of the the Javanese, who gives in to the colonial regime. More exactly, the Javanese rules, who cared only about themselves. So long as they are safe, they do not think about the common people. While the kings and sultans kept their place, the common people suffered. Meanwhile, we also see how the Acehnese responded to colonialism. They fought and fought even though they knew they would fail. Regardless, they have the courage to fight. It had proven that the Dutch spent the most money in this war, an evident that Acehnese was not easy to defeat.


This post, above anything else, is a confession post. The confession: I haven’t read much lately. Well, I do read, but what I read are just a bunch of academic journal articles assigned by my course conveners and news. Those don’t count, right? 


I have no excuse for all of this. I could have read more, especially since the pandemic everyone has been forced to stay at home. Except, I had to work on my assignments during the semester. 


Now that I am on summer break, I really run out of excuses. I guess, I better catch up of my reading. 


Lucky for me, a couple months ago an angel gave away a bag full of Pramudya Ananta Toer’s books on Buy Nothing of my suburb. Not wanting to miss the opportunity, I immediately put my hands up, and like an angel, or perhaps Santa is the most appropriate name for the occasion, she gave all of them to me. Within the bag includes the complete edition of Buru Quartet and other books such as: It’s Not An All Night Fair, Fugitive and Arok of Java. If any gift can make me happy, it has to be books. 


I have started the marathon. So far I have finished reading the first and second books. The point of this post is to document my experience while reading this masterpiece. I will write down my feeling and reaction while reading each book. 


I am fully aware that Pram is a a big name in Indonesia and almost everyone says that his books are not that easy to absorb. Implying that it requires certain level of intelligent to understand his works. Well, it’s true to some extent. But I think the problem lies in the language. Indonesian language is always changing and the new generations are not familiar with the “old” generation of Indonesian language. The old version strikes them a bit stiff and too formal. So yes, it requires a bit of effort both to understand the language and the content. 


Luckily for me, the book that I got are all in English and so far I have no problem at all. Except, there are parts that I find funny. I am not a translator, but I did take translation course back in the days. And, one of the thing the translation course emphasises is that we need to contextualise everything. We cannot translate everything literally. There is one particular character in the book named Minah who has “slut-ish” personality. In Indonesian language, we refer to such character as cewek gatel, which literally translates into an itchy girl. Rather than calling her a slut, Max Lane chooses to use “itchy girl”. There must be an intention behind it which I am still figuring it out. 


So yes, in the next posts I will be documenting my whole experience reading each book. I am so excited! 


Adhari's bookshelf: buru-quartet-marathon

This Earth of Mankind
really liked it
tagged: buru-quartet-marathon
Child of All Nations
it was amazing
tagged: buru-quartet-marathon
Footsteps
tagged: buru-quartet-marathon
House of Glass
tagged: to-read and buru-quartet-marathon

goodreads.com