Adhari's bookshelf: just-finished
because you simply never stop growing




This Earth of Mankind is the first book of the Buru Quartet series, and probably the most famous of the four. Although, personally, I don’t find the first book exceptional at all compared to the other three. In fact, I find the love story between Minke and Annelies quite shallow. But, isn’t all love stories are?
The story starts with the narrator introducing himself. However, rather than revealing his real name, he let readers know the name people use to call him: Minke. At first, readers are puzzled with name especially because Minke claims to be a native, but the name Minke is not a common native name at all. Luckily, there is one special chapter in which Minke explains how the name comes about. It turns out that the name was born at a time when his teacher was angry at him for not being able to answer a question he asked. The teacher meant to say MONKEY, but realising that it’s inappropriate to insult a student in a class before other students, he then quickly changed it into Minke. So, Minke is actually a derogative term, but only later that he understood that.
Minke was among the only two natives who were privileged to have been enrolled in Surabaya Hoger Burger School (HBS) or the equivalent of Senior High School. The other one was Robert Jan Dapperste who was admitted because he was adopted by a Dutch preacher. Likewise, Minke, too, was admitted because he was the grandson of a Bupati (regent). Indeed, during the colonial time, no natives are given access to education, unless they are the children of important people.
A bit of context, the book begins in 1898. By this time, the Dutch had ruled Indonesia for over 200 years. This quartet, therefore, is a great historical fiction to show Indonesia’s colonial history. We get see how the natives were being treated by the Dutch colonialist. Most important of all, we get to see how big a failure the Dutch had been in influencing Indonesia culturally. It appears that unlike other colonial doctrine that believed colonialism was a way to enlighten the so called “savages”, the Dutch’s only goal was to exploit the resources and the native people for their own benefit.
The Dutch’s biggest failure for me is the fact that the Dutch did not introduce education to the Indonesian native, or if did it was obviously failed. What is apparent is that Indonesian people had to fight for it. It is no surprise that after ruling Indonesia for 250 years, no trace of Dutch language left in Indonesia. Unlike the former British colonies, they all adopt the English language either as their official language or as their second language. This is not to say that British colonialism was better than the Dutch. No. No form of colonialism is justified.
Back to the book. At the surface, the story seems to centre around a love story between Minke and an Indo girl, Annalies. An Indo is a term used to refer to Dutch-Indonesian mixed person. But, as we dig deeper, it is obvious that Toer, or Pram as Indonesians fondly call him, only uses the love story as a foil to talk about issues that are much deeper and much more serious such as colonialism, segregation, slavery, psychology, capitalism, feminism and many more.
The lead character of the book is obviously Nyai Ontosoroh. Nyais are an important part of Indonesian colonial history, beautiful native women bought by colonial officials to be their concubine. These women were often ridiculed and outcasted by other natives. But, as Nyai Ontosoroh’s story, they are victims of the circumstances.
We are introduced to Nyai Ontosoroh as Minke and his schoolmate, Robert Suuroof, was visiting the Hellema’s estate. As Minke was smitten by Annalies’s beauty, readers were smitten by Nyai Ontosoroh’s unusual charm. A nyai has the reputation for being a sex slave. However, nyai Ontosoroh is different. She is fluent in Dutch and she is literate. Later, we also discover that she manages the entire Hellema’s business empire - something that’s quite extraordinary for a native woman to do at the time. Probably her most powerful charm is her progressive way of looking at the world. Although she is a nyai, she doesn’t look down at Minke. Rather, she welcomes him and does not pay attention to his nativeness.
The love story between the two continues, but it terms of storyline we know that it is so just to draw Minke closer to nyai Ontosoroh and the Mellema family who will take the story to a whole other level. Personally, I don’t like how Pram portrays Annelies’ character. He describes her as a beauty beyond compared, but she is very fragile and sentimental. This is quite contradictory, considering that she started working with her mother quite early on. My point is that, you can’t be mature but immature at the same time. I suspect that Annelies’ character is not important at all. She is just there as a foil so that we get to see more of nyai Ontosoroh.
Ontosoroh was made into a nyai when she was quite young. It was her father who sold her to a colonial official (Tuan Besar Kuasa), Mr Mellema, so that he could be promoted into a higher position. Because of this, she holds a grudge against his family. She refused to acknowledge them and to meet them ever since. At first, Mr Mellema was a nice gentleman teaching Ontosoroh everything from hygiene, reading, writing and even managing a business. It was Mr Mellema therefore who transforms Ontosoroh into a “modern women”.
However, Mr Mellema stops being a gentlemen (at least according to nyai Ontosoroh) after one day a man came to their estate which turns out to be his son from his legal marriage back in the Netherlands. That man confront Mr Mellema for deserting him and his mother. Ever since that day Mr Mellema no longer the person he used to be. Later in the story we learn that he has been staying at a brothel next door and spends his time drinking. Amidst all of this, nyai Ontosoroh takes over the job in managing the estate and the businesses. That’s how she becomes a truly independent business woman.
Minke was invited to stay with the Millemas but he did not know how to react. After a long consideration and because Annelies was madly in love with him to the point that she would get sick just being away from him (I hate this part), he finally gave in. However, little that he knew this is the beginning of all troubles that he is about to encounter. What are those troubles? I think this is the part where I should leave you. Please get the book and read it. It’s so worth it.
What can you expect from the book?
This post, above anything else, is a confession post. The confession: I haven’t read much lately. Well, I do read, but what I read are just a bunch of academic journal articles assigned by my course conveners and news. Those don’t count, right?
I have no excuse for all of this. I could have read more, especially since the pandemic everyone has been forced to stay at home. Except, I had to work on my assignments during the semester.
Now that I am on summer break, I really run out of excuses. I guess, I better catch up of my reading.
Lucky for me, a couple months ago an angel gave away a bag full of Pramudya Ananta Toer’s books on Buy Nothing of my suburb. Not wanting to miss the opportunity, I immediately put my hands up, and like an angel, or perhaps Santa is the most appropriate name for the occasion, she gave all of them to me. Within the bag includes the complete edition of Buru Quartet and other books such as: It’s Not An All Night Fair, Fugitive and Arok of Java. If any gift can make me happy, it has to be books.
I have started the marathon. So far I have finished reading the first and second books. The point of this post is to document my experience while reading this masterpiece. I will write down my feeling and reaction while reading each book.
I am fully aware that Pram is a a big name in Indonesia and almost everyone says that his books are not that easy to absorb. Implying that it requires certain level of intelligent to understand his works. Well, it’s true to some extent. But I think the problem lies in the language. Indonesian language is always changing and the new generations are not familiar with the “old” generation of Indonesian language. The old version strikes them a bit stiff and too formal. So yes, it requires a bit of effort both to understand the language and the content.
Luckily for me, the book that I got are all in English and so far I have no problem at all. Except, there are parts that I find funny. I am not a translator, but I did take translation course back in the days. And, one of the thing the translation course emphasises is that we need to contextualise everything. We cannot translate everything literally. There is one particular character in the book named Minah who has “slut-ish” personality. In Indonesian language, we refer to such character as cewek gatel, which literally translates into an itchy girl. Rather than calling her a slut, Max Lane chooses to use “itchy girl”. There must be an intention behind it which I am still figuring it out.
So yes, in the next posts I will be documenting my whole experience reading each book. I am so excited!
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